Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Feb 4, 2015

Forest Bathing (fear not the landscape)

I'm still here! Let's see if I can beat my two posts a year habit in 2015. Unlikely, but hope springs eternal, even for boneheads.

More incremental progress in the studio as per usual. I sold some paintings at the end of last year which gave me a little buoyancy to carry me into what will be a new body of work.

I'm done apologizing for the landscape that constantly appears in my otherwise 'abstract' work. I'm not even sure to whom I was apologizing or why!

What made me accept this into the image? Because, even though the idea of painting mimetically from the landscape feels like the wrong way to go, I still find myself building images in the manner of a landscape. I find myself doing this not just out of habit- let's be clear. I broke myself of that habit and found some interesting results in grad school and beyond. This penchant is coming from another desire in me: to put it simply, to relate to the landscape. And let's be real, these "landscapes" are still pretty damn abstract. I was taking inventory of the things I set out to accomplish:

1. I want complex space in the work.
2. I want the colors I see in life (even if I don't need to paint the object)
3. I want to seduce the shit out of the viewer (people do love the whiff of the familiar or archetypal)

Of course, I could still do all three of those things without allowing the landscape in.

4. I want the paintings to have a clearer (but still enigmatic!) relationship to that which is visibly universal.

Enter the scape! The change happened in paint first, as it should be. I painted over this small piece that just never quite delivered and ended up with the most bizarre little "street scene":

While that had me scratching my head, I painted this:

which is decidedly tree-like… sorry for the glare
and then this:


which is probably the most traditional painting I've done in a while...

I'm not saying these are great, but they are little footholds, and I want to go somewhere new. Also, I like the idea of giving the viewer a foothold also...right before I pull it away and go somewhere far out. I'm piecing this together with some other changes, resolutions, etc:

5. To pay more attention to varying textures
6. To build more patterns of mark-making (not so many one-offs)
7. Pay better attention to value

From that comes this:

I need to fix a composition issue there... but Omicron Theta IV wasn't built in a day....
I'm thinking of titling that one the Holy Mountain after one of my favorite movies. Too much for one post. Maybe I'll beat my two post a year record after all.